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Rain Day at the World Ski and Snowboard Festival

It’s been years since I wished for a rain day. But after four consecutive days at the World Ski and Snowboard Festival, a grey day focused on recovery is what my legs and my liver really needed to make it through the rest of this week. And to be honest, a break in the perfect spring weather was my only legitimate excuse to slow down from a nonstop string of cultural stimulation, harmless flirtation and late nights of bar time in the village.

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I’m not much for crowded runs and club lines, so I’d avoided Whistler’s biggest spring party for the better part of a decade. But this season with Ski Journal photo editor Grant Gunderson competing in the pro photographer showdown and an invitation from Whistler/Blackcomb for complete VIP immersion into the festival, the opportunity seemed too good to decline. So I headed north on the 99 to see if this legendary event was worthy of all the hype.

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My virgin descent into the festival madness started Sunday with bright blue skies, perfect cycling corn and a double feature of festival culture. In some bar, in some corner of the village I took in Pecha Kucha, an event where Whistler residents spoke for 20 minutes—over 25 slides—about their non-snow passions. The rapid-fire rambles ran the gamut from Leslie Anthony’s snakes to Lisa Richardson’s slow foods cycle. But the sold out highlight of the night was the fashionable ski-town socializing in the Festival Centre art gallery and a packed house premiere of the mountain bike film Follow Me Around.

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Two days of sweet corn later, the World Superpipe Invitational went off with pipe stars boosting nines, tens, twelves and fourteens in the 22-foot superpipe. For the record Walter Wood and Jen Hudak won, but by the time the results were tallied I was back milking lift-access corn on the Glacier Express Chair.

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As après rolled onward yet again, I escaped to Whislter’s new Scandinave spa for eucalyptus steams, a Finnish sauna, dips in the cold pool and some chill time in the solarium. Three hours later I queued up outside the festival centre beside Mike Douglas for the 72 hour pro photographer showdown. It’s all a bit of a blur but the American team won with a creative film titled Panty Bloom. It gets even blurrier later but the evening closed out at the Longhorn with Five Alarm Funk and recovery poutine at 2AM.

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I’m still digesting the visually stunning Mike Parillo/Travis Rice art show in Blake Jorgenson’s gallery from last night, and still recovering from another late night. But for sure, the climax of the week is tonight’s sold-out pro photo showdown and I’ve got my ticket. Thank god I had the rain day yesterday because the WSSF fatigue is hitting me hard this morning. And, unfortunately, its bright blue again outside.

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